hey y'all! so this was no easy decision, been thinkin abt it all damn day.
but, i decided to read lucille clifton's "surely i am able to write poems"...as if that wasn't obvious already ahahahah!
for my own poem, i'm gonna read some new-new. like, so new i haven't even typed it yet, so new it doesn't have a name. it's fresh off the presses of this notebook with its pages falling out (!!!). when i type that up, i'll send it to tessa :-D
oh -- and my five word bio is: runs on shrimp and laughter.
yeaahhhh so excited for this!!!!
Welcome to the Poets of Color of the Twentieth and Twenty-first Centuries A small sampling of poetry by poets of color are examined in this class as a way of expanding our perception of the American poetry cannon. Our discussions investigate the new forms, open languages, and cultural origins of the works, and also how these poets intersect with the literary terrain.
Poets of Color
Elmaz Abinader, Instructor Office: 313 Mills Hall
510 430 2225 elmaz@earthlink.net
office hours: 5-6:30 Thursday and by appointment
Here are the texts for the class.
• Asian American Poetry: the Next Generation edited by Victoria Chang
• Voices from Leimert Park, ed by Shonda, Buchannan
• Effigies, An Anthology of New Indigenous Writing Pacific Rim, 2009, Okpik, Rexford McDougall, etc (Salt Publishing)
• The Wind Shifts, New Latino Poetry, Edited by Francisco Aragón
• The Essential Etheridge Knight by Etheridge Knight
• Mercy by Lucille Clifton
• Zodiac of Echoes by Khaled Mattawa
• Diwata by Barbara Jane Reyes
Sunday, November 25, 2012
Performance Info
Poem #1: Etheridge Knight's "Belly Song"
Poem #2: Poem from Seurat's Points series, "Breaking Point"
Artist Bio: Always near abstraction and obscurity.
Potluck: Bringing a cake!!!
Poem #2 for zine:
Poem #2 for zine:
Breaking Point
Further loss to change
No longer viewed a problem
People,
it doesn’t make sense
On a drug
That may not happen –if at all
Created awareness specialist
On it from the beginning, no one challenged them
New concerns, long-term safety
The
current looking with critical eye
Method
used been called into question
How and how?
Is it, even?
The years keep evolving
Once diagnosed
A fragility
fracture
A meeting of experts
Defined by density
One
measure available
“Normal” were those of a deviated standard
Anyone who fell in between had a condition
A disease somewhat arbitrary
An independent prevention
Density helped her avoid
Density
is only one part of the picture
Determined
by other components, its capacity for self-repair
Melissa: carries the sea with memories
- Poem from our studies: Khaled Mattawa's "Echo and Elixir 2"
- Poem from my personal work: A poem, "The Afternoon Elephant in the Lunch Break Room." (posted below for the zine.)
- Artist Bio: carries the sea with memories
- Potluck item at Elmaz's: Maybe my pulled chicken adobo again? (;
The Ravenel Bridge in Charleston
is a white, looming structure
over the south peninsula
where I climb over the fence
and think: not of dying
but meeting the black medical student
who jumped into the teal,
shimmering bay
just a few days earlier
at work, we heard the news
over the radio, interspersed
between minute-to-minute broadcast updates
about a white man who stopped traffic
drove into the bridge's concrete wall
wrote with black, bolded letters on
the side of his truck: I want to die
he didn't succeed in killing himself
but his life story was on the tip
of everybody's tongues
unlike the black medical student
whose story was spat out by the townsfolk
forgotten and thrown to the sea like her body
dismantled by the coldness
my coworker said: "Poor guy;
he gone and try to kill 'imself.
I gave my peace. Sent my prayers to heaven.
but that bridge's fence needs to be higher.
other folks can't be trusted."
"others like whom?" I asked her
but she dodged my looks
with her pretty, sea-blue eyes
so here I am, standing
at the edge of the bridge
at the tip of the concrete wall
and over the fence
cars past by me and honk
I'm not thinking of dying
I just came here to ask her:
how does it feel
to be remembered?
VJ's Poems and Five Word Bio
Poem from our readings: Lucille Clifton's "September Song"
Poem from my collection: "Was he Black? (an oldie but goodie) or "Suffering in Silence" (a newbie)
The newbie will go in the zine
The newbie will go in the zine
Bio: Venus wages peace through poetry
Bringing to the table? wine and or sparking cider
SUFFERING IN SILENCE (for 9/11 families who want to forget)
By Venus Jones
I was silent yesterday/ You know when you've said
everything there is to say about a dismal day/ Kind of silent/ When you
want terrible memories to simply fade away/ Kind of silent/ I've said it
already/ In different ways/ a thousand times/ Some people still
haven't found their missing/Voice or vanguard/ Yet some how/ It comforts
them to hear /about where I was// How heavy the mental lifting really
was/ How heroic/ Everyday people can be/ Some survivors move people/Some thrivers move on/ He allowed the event/To eventually enter his
body/The back pain/ The knee pain/The chest pain/ Got old/ We don't
want to talk/ About the lack of assurance/ When the ailment and ache are
hidden/ And people don't know--- What is not said lingers longer/ Inside he picks at the
scab/ opens the wound again/ Yearly/ His wife cries/ the quiet tears that he
can't / So they both turn away/ Suffering in silence/ What's the cost of
remembrance?/ What's the cost to forget?/ Yesterday
Reading Details
For Reading:
Lucille Clifton: Mulberry Fields
LLesenia Bolorin: Dear L, (From my Opening Doors Project)
5 Word Bio: They said, so I say.
Lucille Clifton: Mulberry Fields
LLesenia Bolorin: Dear L, (From my Opening Doors Project)
5 Word Bio: They said, so I say.
- poem #1: rick barot's "reading plato"
- poem # 2: a poem from my current project called "milwaukee aubade"
- bio: if dionysus were a feminist...
Bio + poem excitment
- Poem from our studies: Mộng-Lan's "Ravine"
- Poem from my personal work: A short excerpt from a series I titled "Bible Study"
- Artist Bio: Pink faced, glassy eyed honesty.
Subscribe to:
Posts (Atom)